Sing, Unburied, Sing
Characterization
Setting and Mood
Plot
Narrative Voice and Point of View
Imagery and Figurative Language
Syntax, Diction, and Tone
Slaughtering the Goat
Michael and Leonie
Mam's Cancer
Leonie and Jojo
Parchman and Richie
Jojo
Pop
Leonie
Mam
Kayla
Michael
Big Joseph
Stag
Richie
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Dedication, Epigram, Epigraph, Epitaph, Epithet
Common Themes in Southern Literature
Derek Walcott's Poem The Gulf
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Kwa Chant
Equiano was an 11 year old boy who was captured and sold into slavery
Eudora Welty "One Writers Beginnings"
Walcott's poems are about the natural disaster of Hurricane Camille hitting the Gulf of Mexico in 1969, while Ward writes about the effects of Hurricane Katrina hitting Mississippi.
Purpose
Background
Walcott's poems include "themes of isolation and the achievement of identity through loneliness."
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Kidnapped in Nigeria and taken to Virginia
He eventually wrote an autobiography about the institution of slavery and defends African culture
Relates to the setting, since both the poem "The Gulf" and "Sing, Unburied, Sing" take place in similar if not the same location
Link to Vocabulary
diagnosed with cancer, trips to the doctor that force the grandparents to have to trust Jojo with his irresponsible mother, Leonie
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Wants to live up to the expectations of his father.
Not very present in Jojo and Kayla's lives, gone a lot
Jojo is 13 years old.
Jojo has a lot of respect for his Pop.
Role model for Jojo
Not very nice to her kids (p. 7)
Father figure for Jojo (whipped him when he was young), but biological grandfather of Jojo
Builds houses
Jojo's white grandfather, Michael's dad. Round and tall
African American
Wants to be looked at as a man.
Selfish
Leaves Jojo alone after her fight with Michael (p.13)
Not afraid to kill goat violently (no hesitation)
Worked in the Parchman Jail because he stole meat since he was poor and hungry and could not afford it.
He went to jail at 13, very young.
Comes from a very hardscrabble background, had to support his siblings via stealing food. Is called 'Richie' as a joke since he's 'rich' for stealing all the food. Real name is Richard
Jojo's father "lean and smudged with tattoos" (4)
Sympathetic toward Jojo after he throws up
Tells lots of stories to Jojo
Used to fight with Leonie
Very commanding presence, picked up Michael after his fight with Leonie
pop and stag "got the same papa" (17)
protected Jojo and Kayla from Michael and Leonie's fighting and Leonie's smoking
Didn't notice when Jojo injured his foot (p. 16)
trouble maker
never listened when he was younger
Never acknowledged Jojo (Maybe doesn't accept him as a grandson?)
feelings oriented
impulsive
Learned a lot from his father about hunting, tracking, and animal work
Went to Parchman Prison because of Stag
Took Richie under his wing at Parchman
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Is in too deep and is dragging her kids down with her (p. 80)
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"Lawless South" (p. 76)
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Vestiges of Memory / Trauma
Fragmentation
Moral Ambiguity
Distance from Subject
A Seething Presence
New Understanding ✒
Given's Death (no new understanding)
New Understanding ✒
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What if distance from the subject was a question of proximity of information within a text , a craft and structure decision by the author, to create associations and to forge connections. In this case, we would be looking at how characters align --> Kayla and Richie, thus Jojo and Pop? ✒
New Understanding ✒
Comprehension Details p 100-150 ♻
Comprehension Details p 100-150 ♻
Comprehension Details p 100-150 ♻
Comprehension Details p 100-150 ♻
Comprehension Details p 100-150 ♻
Does this show up in the other texts that we have read this trimester?
Novels?
Poems
Short Stories
Comprehension Details : ♻
page 130 Kayla vomits, Commotion in the car, Richie stands outside the car, p 131 "The bird, the bird" Kayla says and "I'm going home." Richie says.
page 126 - Richie's story, "I'm going home." 127 - Kayla, "See the birds?" and "All the birds go bye," and "My tummy hurts"
Storytelling / Oral Quality
Comprehension Details p 100-150 ♻
New Understanding ✒
We are given a multitude of perspectives. Some from "Spirits" others from living people.What if these perspectives are meant to make the reader question their personal beliefs in the spiritual.
The story becomes fragmented as it switches from narrative perspective between chapters
Story switches settings (Time period) and is shown by italics in the text
"I want to tell her: You don't know what you doing. And then: You ain't Mam. But I don't. The worry bubbling up in me like water boiling over the lip of a pot,
Readers learn about Richie in fragments through Pop's stories.
Readers empathize with Richie because we learn about his character at a young age in the beginning and then we feel sorry for him later on when we learn he was repeatedly whipped.
Page 150 - Leonie wonders what their next possible child will look like if they had another. She thinks, "if we have another baby, we could get it right."
I don't want Leonie giving her that. I know that's what she think she need to do, but she ain't Mam. She ain't Pop. She ain't never healed nothing or grown nothing in her life, and she don't know" (107).
"The bird, the bird," she says. the boy leans into the window and blurs at the edges. He says: "I'm going home."
We learn about Michael through Leonie's perspective even though he is not directly in the story in the beginning.
this allows readers to learn about a character who will appear later on
Page 147 - Leonie thinks, "It feels good to be mean, to speak past past the baby I cant hit and let that anger touch another. The one I'm never good enough for. Never Mama for..."
Page - 147 Leonie is frustrated by the fact that she isn't as good of a mother like her mother was.
Page 130- "Leonie looks disappointed he's stopped touching her and leans across the seat towards him." Leonie is jealous.