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Unit 7 (Chapter 36 (Lieder: Plural of Lied. (page 206), song cycle: Group…
Unit 7
Chapter 36
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Lied: German for "song"; most commonly associated with the solo art song of the nineteenth century, usually accompanied by piano. See also art song. (page 206)
strophic form: Song structure in which the same music is repeated with every stanza (strophe) of the poem. (page 207)
art song: A song set to a high-quality literary text, usually accompanied, and intended for concert performance. See also Lied and mélodie. (page 206)
Through-composed: Song structure that is composed from beginning to end, without repetitions of large sections. (page 207)
modified strophic form: Song structure that combines elements of strophic and through-composed forms; a variation of strophic form in which a section might have a new key, rhythm, or varied melodic pattern. (page 207)
Listening Guides
LG 27 (In the Lovely Month of May,
from A Poet’s Love)
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LG 37 (The Nutcracker, Trepak)
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Genre: Ballet music, orchestral suite
Medium: Large orchestra with some special instruments: celesta (Dance of the Sugar Plum Fairy) and tambourine
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LG 26 (Elfking)
Date: 1815, early Romantic
Genre: Lied, or solo song
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Form: Through-composed
Song structure that is composed from beginning to end, without repetitions of large sections.
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LG 6 (Fair Phyllis)
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Texture: Varied (polyphonic, homorhythmic, monophonic)
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Farmer uses the technique of word painting, using descriptive music to convey the text
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Chapter 16
Madrigalisms: A striking effect designed to depict the meaning of the text in vocal music; found in many madrigals and other genres of the sixteenth through eighteenth centuries. See also word painting. (page 80)
Madrigal: Renaissance secular work originating in Italy for voices, with or without instruments, set to a short, lyric love poem; also popular in England. (page 80)
Word-painting: Musical pictorialization of words as an expressive device; a prominent feature of the Renaissance madrigal. (page 79)
part book: A bound music book—either print or manuscript—with music for a single vocalist or instrumentalist. (page 83)
part song: Secular vocal composition, unaccompanied, in three, four, or more parts. (page 79)
Chapter 46
Masque: English genre of aristocratic entertainment that combined vocal and instrumental music with poetry and dance, developed during the sixteenth and seventeenth centuries. (page 262)
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Ballet: A dance form featuring a staged presentation of group or solo dancing with music, costumes, and scenery. (page 262)
Celesta: Percussion instrument resembling a miniature upright piano,with tuned metal plates struck by hammers that are operated by a keyboard. (page 264)
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Chapter 49
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Impressionism: A French movement developed by visual artists who favored vague, blurring images intended to capture an "impression" of the subject. Impressionism in music is characterized by exotic scales, unresolved dissonances,parallel chords, rich orchestral tone color, and free rhythm.(page 277)