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The Conceptual Image (The Polish poster (Tadeusz Trepkowski (The first…
The Conceptual Image
The Polish poster
Tadeusz Trepkowski
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His approach involved reducing the imagery and words until the content was distilled into its simplest statement
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Posters
Posters for cultural events, the circus, movies, and politics served as important communications
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Jan Lenica
Began using flowing, stylized contour lines that weave through the space and divide it into colored zones that form an image
Waldemar Swierzy
Incorporated acrylics, crayon, pencil, and watercolor into designs
Roman Cieslewicz
Techniques include enlarging collage, montage, and halftone images to a scale that turns the dots into texture, setting up an interplay between the image and the dots that create it
Shortages of food, electricity, and housing led to strikes
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European visual poets
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Student revolts in Paris
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Graphic design turned toward political, social, and cultural rather than commercial ends
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The Poster Mania
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Sister Corita Kent
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She appropriated signs, literary texts and phrases, and song lyrics and used these elements in compositions
The Third-world Poster
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Cuba
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Bureaus and institutes were responsible for movies, theatrical events, publishing, and exhibitions, and use graphics to promote these cultural events
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Organization of Solidarity with Asia, Africa, and Latin America
Produced posters and leaflets for export to support revolutionary activity and build public consciousness for ideological viewpoints
Posters use elemental symbolic images readily comprehended by people of different cultural backgrounds.