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Musical Elements (Structure (Sonata Form (Exposition, Development,…
Musical Elements
Melody
Motif/Theme
Disjunct
Leap
Arpeggio
Conjunct
Scalic
Stepwise
Intervals
Perfect 5th or 4th
Octave
Ornamentation
Trill
Appoggiatura
Lower/Upper Mordent
Grace Note
Sequence (ascending or descending)
Articulation
Staccato
Legato
Accents
Slurs
Dymanics
Diminuendo
Crescendo
PP - Very Quiet
P - Quiet
MP - Moderately Quiet
MF - Moderately Loud
F - Loud
FF - Very Loud
Word Painting
Range of Notes
Texture
Monophonic
Homophonic
Melody & Accompaniment
Polyphonic
Heterophonic
Imitation
Two-Part
Three-Part
Four-Part
Basso Continuo
Call & Response
Harmony
Pedal
Tonic Pedal
Dominant Pedal
Dissonance
Chord Sequence
Cadence
Perfect (V - I)
Imperfect (I - V)
Interrupted (V - vi)
Plagal (IV - I)
Extended Chords
Altered Chords
Circle of 5ths
Performing Forces
Voice (SATB)
Syllabic
Melismatic
Vocables
Guitar Techniques
Hammer on
Pull-Off
Wah-Wah
Slide
Bend
Vibrato
Strings
Pizzicato
Double Stopping
Tremolo
Studio Techniques
Overdubbing
Multi-Tracking
EQ
Flanger
Reverb
Panning
Basso Continuo
Harpsichord
No dynamics
Bass Viol
World Instruments
African
Kora
Talking Drum
Irish/Celtic
Fiddle
Uilleann Pipes
Accordion
Hurdy-gurdy
Bodhran
Dance Music (EDM)
Looping
Drum Machine
Synthesizer
Tonality
Major
Minor
Tonic
Dominant
Atonal
Modal
Key Change (Modulation)
Dominant
Relative Major/Minor
Subdominant
Related keys
Chromatic
Tempo, Rhythm & Metre
Time Signature (Metre)
Simple
2/4
3/4
4/4
Compound
6/8
9/8
12/8
Note Duration
Syncopation
Swung Rhythm
Triplets
Rhythmic ostinato
Structure
Strophic Form (Clear Sections)
Verse/Chorus
Through Composed
Phrasing
2 - 4 bars long
Irregular Phrasing
Sonata Form
Exposition
Development
Recapitulation
Ground Bass
Binary Form (AB)
Ternary Form (ABA)
Rondo Form (ABACA)
Coda
Middle 8 (Instrumental Solo)
Bridge
Context & Background
Baroque
J.S. Bach
H. Purcell
Classical
Mozart
Beethoven
Fusion
Afro Celt Sound System
Esperanza Spalding
Film Music
John Williams
Musical Theatre
Stephen Schwartz
Rock/Pop
Queen