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MUSIC & EMOTIONS (Franz Joseph Haydn (1732-1809) (Masterpieces in the…

- - - - Trumpet fanfare
      - Daring modulations
      - Contrasts
    - - highly imaginative
      - innovative
      - "Military" nickname from use of Turkish percussion & trumpet fanfare
    - - Sudden change to minor in middle section
      - Homophonic
      - Duple Meter
      - C Major
      - Allegreto
      - Variation form, combined with tenary
- - - - Good vs Evil
      - God and Nature
      - Destiny
      - Life and death
      - Dreams and passions
- - - - Programmatic: many thought program music was a step backward from the potential of music to express things beyond words
      - Absolute : Proponents of absolute music relied on structures of sound for expression
    - - From was the most important organizing element
      - With this genre, no programmatic thought process
  - - - Began wrting symphonies at age 40
      - 4 symphonies, 2 piano concertos, a violin concerto, chamber music songs, choral music
      - Hailed by Schumann as future leader of absolute music
      - Lifelong affection for folk music
      - Bron in Hamburg, Germany
    - - 3-note motive throughout ENTIRE symphony
      - Romantic in tone, classical in form
      - Written in 1883, at age of 50
      - Still in the tradition of the classical masters
      - Aimed to show new and important things
    - - Syncopation : 3 against 2 rhythm patterns
      - Lyrical
        
        Melancholy
        
        Waltz-like
      - A-B-A' form
      - Key
        
        Chromatic-middle section
        
        Alternates between Major and Minor
        
        C Minor
- - - - Sometimes fanciful titles
      - Projects melodious and dramatic moods within a compact form
      - Solo piano equivalent to the song
      - Short
    - - Shcumann
      - Mendelssohn
      - Chopin
      - Liszt
      - Schubert
      - Brahms
    - - Etudes (highly virtuous study pieces)
      - Character pieces : Nocturnes, preludes, dances
  - - - Relationship with author George Sand
      - Originated modern piano style
      - Entire creative life revolved around the piano
      - 1831 : Moved to Paris for remainder of life
      - Born outside of Warsaw - French father, Polish mother
    - - Polish roots exhibited in his mazurkas and polonaises
        
        Lively triple-meter dance with an accent on the second or third beat of the measure
      - Mazurka in B-flat Minor, Op. 24, No. 4
        
        Form : A-B-A'-B-A'-C-C-D-A long coda
        
        Expressve depth, robato
        
        Dance like triple meter
        
        Chromatic, wide ranges
        
        1883
    - - Dedicated to friend Auguste Leo
      - Trills
      - Wide range of keyboard
      - Form : Ternary and Rondo
      - Dance of Polish origin - carnival parties
      - Heroic or drum Polonaise