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SONATA FORM (1.EXPOSITION (First Subject, Bridge - Modulation either from…
SONATA FORM
1.EXPOSITION
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Bridge - Modulation either from the tonic to the dominant (major key), or from the tonic to the relative major (minor key).
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Some composers adapted the rigid format of sonata form, making changes such as having more than one melodic idea in the first subject.
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EXTRA INFO
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Mozart 
Symphony No. 40 in G minor, KV. 550 is an example of a piece that follows the typical sonata form and the balance of the sections. Exposition=100 bars, Development=65 bars and the recapitulation=135 bars
Haydn
Beethoven is an example of a composer that made the sonata form much longer by changing the balance of the three sections.
3.RECAPITULATION
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Bridge - Likely to modulate however never far from the tonic. It either modulates from the tonic to the sub-dominant, then to the dominant of the subdominant (resulting in the original tonic). Or it modulates to a closely related key and moves back to the tonic again before the bridge section ends.
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