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Contemporary Musicking (a primer) (Contemporary Musicking Practices…
Contemporary Musicking (a primer)
Thinking Tools
Participatory Culture (Jenkins et al., 2010)
community > presentation
open forms
line between audience and artist is blurred
A shift towards engaging in and contributing to- rather than just consuming- culture
More accessible, informal teaching (tutorials, peer teaching/"amateur ensembles, etc.)
Creating an environment that is inclusive and interesting for students of all backgrounds.
As we continue to explore and stay connected with the world, we created a culture that welcomes and encourages low artistic barriers
not just for "real" musicians/professionals
Everyone has a different point of view when listening to music. Now, they can interpret the music from their own point of view.
In the context of music education, this allows students to interact and engage in music that is more applicable to them. That way students can relate to the music they perform as artists.
Examples of these activities can be: remixing, covering, making mashups
people find the way they want to learn
Convergence and Hybridity (a la Tobias, 2013)
Convergence is not replacement
melding of existing music education with modern ideas and technologies
mixing multiple technologies of various uses/roles into one activity
Contemporary Musicking Practices (Tobias, 2013)
Covering
Preventions
Protections
Provisions
What is it?
Privileges
Presumptions
Commenting and discussing
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Remediating
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Creating tutorials
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Creating Mash-ups
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Sample-based producing
Privileges
Provision
Presumptions
Protections
What is it?
Preventions
Remixing
Privileges
basics of remixing technology
being able to find music that is accessible to use
Provisions
More intimate knowledge of the DAW used
Students can learn how to create with and relate to ideas and concepts that they can be more connected to
Students can observe different forms of songs. Understanding this more can help to understand how to change form.
Presumptions
younger generations with interest in technological music
must know how to use/
must have access to
music technology
for youth/millenials
record companies
Protections
smaller details and techniques of remixing (articulation, dynamics, etc)
Books, tutorials, etc.
With access to google, attaining skills can be more attainable and time-efficient (especially when working with technology).
use of more advanced softwares
feedback is crucial to developing new perspectives to improve the product
Internet Resources
Youtube tutorials
DIY creating sound files/instruments
Bloggers / Musicians who publicize their processes
What is it?
Taking already created music and making it your own
Examples
https://youtu.be/4KJEPYW5EiI
Example: Trap Remix of "California Dreamin'" by The Mamas and the Papas
https://www.youtube.com/watch?v=dgjOZJENPTQ
altering or editing pieces of music in ways that can alter the style or aesthetic of a piece in an unexpected way
most common in pop/electronic music?
Producing versions that maintain the original work's essence while adding musical content to change the context or genre, typically with technology
Taking a musical idea and morphing it by changing (sampling) or adding musical elements, while adding new musical elements
Preventions
Solfege will not be used
Learning western classical music notation
RIP Sight reading
Vocal technique
CLASSICAL
vocal technique
acoustic instrument techniques
It will not teach me how to build a house
Multitracking
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Satirizing
Provisions
Protections
Privileges
Preventions
Presumptions
What is it?
Parodying
What is it?
Presumptions
Privileges
Provisions
Protections
Preventions
Skill and Knowledge Guidelines
Core Arts
K-8 Music:
http://www.nationalartsstandards.org/sites/default/files/Music%20at%20a%20Glance%20rev%2012-1-16.pdf
Harmonizing Instruments:
http://www.nationalartsstandards.org/sites/default/files/Music%20Harmonizing%20Instruments%20at%20a%20Glance%203-4-15.pdf
Composition & Theory:
http://www.nationalartsstandards.org/sites/default/files/Music%20Composition%20and%20Theory%20at%20a%20Glance%203-4-15.pdf
Technology:
http://www.nationalartsstandards.org/sites/default/files/Music%20Tech%20Strand%20at%20a%20Glance%204-20-15.pdf
VA State Music Standards:
http://www.doe.virginia.gov/testing/sol/standards_docs/fine_arts/2013/music/std_finearts_music.pdf
6th-8th grade general: pages 16-21
High School General: pages 40-41
Guitar: MS 31-33, HS 56-61
Additional approaches to musicking
Designing/building instruments
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Coding (and live coding)
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions
Asynchronous collaborations
Privileges
Provisions
Presumptions
Protections
What is it?
Preventions