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The Fifties and New Jazz Substyles (Cool Stylists (Miles Davis (Middle…
The Fifties and New Jazz Substyles
Social & Historical Events
Cold War (Soviet Union)
Korean War
McCarthy Hearings
New Substyles
Hard Bop
Funky or Soul Jazz
Gospel Jazz
Rhythm & Blues
Developed from Bebop
Speed
Intensity
Power
Art Blakey & the Jazz Messengers
Drummer
Plagal Cadence
Church Cadence
Amen Cadence
Shuffle
Horace Silver
(Piano)
Fixed Introductions
Written Shout Choruses
Clifford Brown-Max Roach Quintet
Clifford Brown (Trumpet)
Max Roach (Drummer)
Sonny Rollins
(Tenor Saxophone)
Charles Mingus
(Bassist & Composer)
Flawless Technique
Cool Jazz
Developed from / Reaction against Bebop
Complex Compositions
Slower Tempos
Less Emotion
Counterpoint (polyphonic)
Third-Stream Music
Modal Jazz
Cool Stylists
Overdubbing
LP (Long-Playing Record
Miles Davis
Middle Register
Virtuosic Bravura
Space / rest between phrases
Harmon Mute
Modal Jazz
Modern Jazz Quartet (MJQ)
Third-Stream Music
Wore tuxedos
Dave Brubeck
Heavy-handed & "Unswinging"
Piano / Composer
Commercially successful
Stan Getz
Tenor saxophone
Distinctive tone
Bossa Nova
Brazilian Rhythms
Jazz on the West Coast
"West Coast Jazz"
Principles of Cool Jazz
Subdued dynamics from drummer
Unusual combinations of instruments
Stan Kenton
Third-Stream Music
European Classical Music Instruments
French Horn, Cello
Compositional Structures
Counterpoint
Three Piano Stylists
George Shearing (Blind)
Locked-Hands
Block-Chord Style
Piano
Erroll Garner
Self-Taught
Did not read music
Oscar Peterson
Vocalists
Back Phrasing
Ella Fitzgerald
Scat Singing