The Fifties and New Jazz Substyles
Social & Historical Events
Cold War (Soviet Union)
Korean War
McCarthy Hearings
New Substyles
Hard Bop
Cool Jazz
Counterpoint (polyphonic)
Funky or Soul Jazz
Gospel Jazz
Third-Stream Music
Modal Jazz
Developed from Bebop
Developed from / Reaction against Bebop
Speed
Intensity
Power
Complex Compositions
Slower Tempos
Less Emotion
Rhythm & Blues
Cool Stylists
Overdubbing
LP (Long-Playing Record
Miles Davis
Middle Register
Virtuosic Bravura
Space / rest between phrases
Jazz on the West Coast
Modern Jazz Quartet (MJQ)
Third-Stream Music
Dave Brubeck
Stan Getz
Heavy-handed & "Unswinging"
Piano / Composer
Commercially successful
Tenor saxophone
Distinctive tone
Bossa Nova
Brazilian Rhythms
"West Coast Jazz"
Principles of Cool Jazz
Subdued dynamics from drummer
Unusual combinations of instruments
Stan Kenton
Third-Stream Music
European Classical Music Instruments
French Horn, Cello
Compositional Structures
Counterpoint
Three Piano Stylists
George Shearing (Blind)
Locked-Hands
Block-Chord Style
Piano
Erroll Garner
Oscar Peterson
Self-Taught
Did not read music
Vocalists
Back Phrasing
Ella Fitzgerald
Scat Singing
Wore tuxedos
Art Blakey & the Jazz Messengers
Drummer
Plagal Cadence
Shuffle
Church Cadence
Amen Cadence
Horace Silver (Piano)
Fixed Introductions
Written Shout Choruses
Clifford Brown-Max Roach Quintet
Clifford Brown (Trumpet)
Max Roach (Drummer)
Sonny Rollins (Tenor Saxophone)
Charles Mingus (Bassist & Composer)
Flawless Technique
Harmon Mute
Modal Jazz