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Lyle Ashton Harris ((The Watering Hole I – IX
(6 of 9 panels illustrated)…
Lyle Ashton Harris
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"anachronistic medium and manipulated lighting cast a deliberate and universal sepia shade over his sitters, playing with the viewer’s perception of the subjects’ race."
"Harris was aware from an early age of the camera’s ability to create a relationship between oneself and one’s environment. "
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