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Fin de siecle (Best described by contradictions) (Symbolism (Symbol is…

- - - - Henrik Ibsen's A Doll's House 1879
      - Anton Tsjekhov
  - - - The Haymakers (1877)
      - Joan of Arc (1879)
        
        A historical painting with biblical themes
    - - Painters began using rural customs
      - So in the Exhibition of Paris there was a strong dichotomy
        
        Naturalism VS Galerie des machines
        
        Nostalgia VS Future - Showing the underlying conflict
- - - - Charles Baudelaire
      - Stephane Mallarme
        
        L'Apres Midi d'Un Faune - has to be said in french so the sound of the words are correct
  - - - Sigmund Freud again
  - - - Klank Farben; Sounc Colours
      - 'Extra-musical' sensations
    - - Towards modernism
      - Atonality
      - Le Sacre de Printemps 1913
  - - - Made people walk to catch the realness
      - The Kiss, 1882
      - The Gates of Hell, 1880-1917, The Thinker, 1879-89 (thought is the highest way of being)
    - - Breaking boundaries of the artworld - working with a 'masculin' medium
      - La Valse 1905