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Unit 6 (Libera Me LG 39 (Baritone solo in the beginning (Disjunct,…

- - - - overture
      - sinfonias
  - - - entertainment
      - love and historical
      - not mythology
      - Monteverdi's Coronation of Poppea 1643
  - - - early 17th century
      - aristocracy
      - instruments and poetry
    - - from the devil
      - for early 17th
    - - worked in the courts
      - chamber music
      - Dio and Aeneas LG 11
        
        1689
        
        opera
      - 1659-1695
- - - - SATB
      - Orchestra
      - Bassoon
      - Basset horn
      - JFK funeral
      - 9/11 commemorations
      - solist
      - Dies Irae
        
        The day of wrath
        
        divine intervention
        
        power
        
        8 verses
        
        Choral open and close
        
        harsh combo of major and minor
        
        Duple meter
        
        homophonic
        
        word painting
  - - - performed in 1888 for an architect
      - nonstandard form
      - 7 movements
      - sounds Celestial and funereal
- - - - associated with sailors
      - reverse dotted figure
      - long-short- short
      - rhythm
    - - repeated phrase
      - descending chromatically
      - 5 measures long
      - symbol of grief
    - - instruments
      - solo
      - Chorus
    - - Opening
        
        Jaunty and playful
        
        Triple meter and scotch snap
        
        major key
        
        String orchestra, solo, and chorus
        
        chromatic drop foreshadowing
      - Recitative and Lament
        
        lyrical aria
        
        half step movement
        
        slow triple meter
        
        repeating ground bass
        
        baroque instruments and solo
- - - - Beethoven
      - Shakespeare
    - - program symphony
      - personal life
      - age 27
      - Thematic Transformation
      - intense, passionate and bold
      - Idee Fixe
        
        varied by harmony, meter, timber, dynamics
      - Lovesick despair
      - 5 movements
      - 4th movements
        
        March to the Scaffold LG 32
        
        Dream of a Witches' Sabbath
      - movements 4 and 5 can be played with each other alone
- - - - overture
      - solo arias
      - ensembles
      - choruses
      - recitatives
        
        move the plot
        
        speech
        
        uses the rhythm of language
      - orchestra
      - ballet
      - sinfonias or interludes
    - - text of an opera
      - early opera
        
        ancient history
        
        mythology
        
        epic poetry
- - - - fear- loud accented
      - wondering
      - quiet plea
- - - - Massiah