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Mind Map 4 (Chapter 29 (Franz Joseph Haydn (1732-1809) (Symphony No. 100…

- - - - Brass
      - Woodwinds
      - Percussion
      - Strings
      - 30-40 players
  - - - wrote over 100
      - London Symphonies
        
        Last 12
        
        Masterpieces in Classical Symphony
    - - One of the twelve "London" symphonies
      - "Military' nickname from use of Turkish percussion & trumpets
      - In movement 2 there is a variation in the form, it is ternary mixed with something else that i cant exactly pick up. There is also a sudden change to minor with the military introduction coming towards the end of the piece. Has lots of contrast and the military music is enjoyable to the ear.
- - - - Relied on structures of sound for expression
    - - Thought was step backwards from potential of music
  - - - Choral
      - Symphonic poem
  - - - four symphonies, two piano concertos, violin concerto, chamber music, songs and choral music
    - - Romantic in tone, Classic in form
      - Written 1883
      - Show new and important things but written in the traditional Classical masters
      - Movement 3 starts slow and very peacefully, having the violins play in sync with one another. Then getting quieter with only a few woodwind instruments playing, it stays peaceful throughout. Does alternate between major and minor scales, is in ternary form, and has two distinct rhythms throughout the piece. Makes the audience want to slow dance.
- - - - Nocturnes
      - Preludes
      - dances
  - - - "Everything must be made to sing"
    - - 1833
      - Lively, triple meter, accented on second or third beat
      - Mazurka is up tempo, making the audience want to dance and have a great time. Starts off kind of hectic with many different ranges of keys being played. Lots of depth in the piece, with much of the keyboard being played. Have no clue what the form is, seems like there is not a form if being totally honest. But i do like the piece, keeps your ears listening the whole time, with the contrasting tones and keys.