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Unit 4: Music & Emotions (LG (19 (Haydn, Symphony No. 100 (presented…

- - - - quick, aggressively rhythmic theme rising from low to high register
    - - slowly gathering force until climax
  - - - heart of orchestra the string family
- - - - central to western musical tradition
      - suited to amateurs and professionals
        
        home and concert hall
        
        staple of refined education
      - rise of the virtuoso pianist
        
        dazzle audiences
      - suitable for homophonic and polyphonic textures
        
        variety of dynamic and resonant effects
      - technical improvements
        
        factory made, affordability
        
        metal frame
    - - beyond the sonata and concerto
        
        etudes, highly virtuosic study pieces
        
        character pieces
        
        nocturnes, preludes, dances
      - character piecesmelodious and dramatic moods
        
        solo piano equivalent to the song
        
        short
        
        fanciful titles
    - - born outside Warsaw
      - 1831 to Paris for remainder of career
      - entire creative life revolved around the piano
        
        originated modern piano style
        
        "everything must be made to sing"
      - relationship with author George Sand
- - - - 19th century composers did not follow traditional rules
        
        from palace to public
        
        orchestra size increased
- - - - presented 1794
      - Turkish inspired military music/percussion
      - solo trumpet fanfare
      - ABA form, ternary form
      - exotic sounds
  - - - written in 1833
      - chromatic, wide ranges
      - dance-like triple meter
      - expressive depth, rubato
      - form: ABA'BA'CCDA, long coda
  - - - violins and cellos
      - ABA'
      - lyrical melody
      - triple meter