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Unit 5: Party Music (Chapter 19 (Tielman Susato (Dance Music (embellished…

- - - - slow pavane
      - fast saltarello
      - group ronde
  - - - bas=soft=indoor
      - haut=loud=outdoor
    - - recorder, lute, rebec-bas instruments
      - shawm, sakbut, cornetto, tabor, nakers = loud
      - trumpets = battle and fanfares
  - - - embellished by performers
      - repeated sections
      - short
  - - - texture
        
        homphonic mostly
      - form
        
        three binary-form dances (A-A-B-B)
      - harmony
        
        full chords, consonant; ronde 2 is modal
      - expression
        
        occasional embellishments
      - rhythm/meter
        
        lively duple meter
      - performing forces
        
        4 part instrumental group; loud wind band (sawhm, cornetto, sackbut, tabor, tambourine)
      - melody
        
        prominent tunes; short phrases
      - published 1551
      - dances flow from one to another
      - variety of instrumental dance types
- - - - black face
      - plantation life
      - white performers
  - - - love songs
      - ballads
  - - - texture
        
        homophonic
      - form
        
        strophic (A-A-B-A)
      - harmony
        
        major key, simple block- and broke-chord accompaniment
      - performing forces
        
        tenor and pianoforte
      - rhythm/meter
        
        moderate tempo in broad quadruple meter
      - text
        
        strophic poem by Foster in verse 1
      - melody
        
        wavelike (descending, then ascending), syllabic
      - wrote after separation from wife
      - voice and piano
- - - - 18th century US Marine Band
      - Civil War era bands
        
        Concert and dance assemblies
        
        Patrick S. Gilmore - leader
      - Revolutionary War regimental bands
  - - - Wrote over 130 marches for band
        
        Semper Fidelis
        
        The Liberty Bell
        
        Stars and Stripes Forever
        
        The Washington Post
  - - - rhythmic and melodic variation
  - - - published in 1899
      - 4 sections
      - texture
        
        homophonic, chordal accompaniment to melody
      - harmony
        
        major key, shifts to new key in C section
      - rhythm/meter
        
        marchlike duple, syncopated in right hand
      - form
        
        dance made up of four sections (A-A-B-B-A-C-C-D-D)
      - melody
        
        catchy, syncopated, disjunct
      - performing forces
        
        Joplin plays on 1910 Steinway piano roll
- - - - West African traditions from 18th century slaves
        
        call and response
        
        vocal inflections
      - Euro-American vernacular traditions
      - New Orleans
      - keep evolving by incorporating many styles
      - Famous Jazz artists
        
        Billie Holliday
        
        Born in Philadelphia, PA
        
        moved to NYC, sang at clubs in Brooklyn and Harlem
        
        1933 discovered by talent scout who arranged record with Benny Goodman
        
        1935 recording with best jazz musicians of her day
        
        strange fruit
        
        sad later life
        
        Listening Guide 47
        
        Billies Blues
        
        1936
        
        intersection between jazz and blues
        
        form
        
        12-bar blues
        
        texture
        
        polyphonic
        
        harmony
        
        repeated harmonic progressions for each chorus
        
        expression
        
        laid-back feeling, different moods in solos
        
        performing forces
        
        holiday, vocal with trumpet, clarinet, piano and others
        
        melody
        
        syncopated melodies with pitch inflections
        
        text
        
        chorus 2 is typical blues text, others more free
        
        rhythm/meter
        
        slow tempo, steady rhythmic accompaniment under more complex solo lines
        
        Duke Ellington
        
        born in DC
        
        studied piano
        
        1920s was playing in NYC jazz clubs
        
        composer/arranger
        
        major figure in Harlem Renaissance
        
        Listening Guide 48
        
        Take the A Train
        
        form
        
        A-A-B-A
        
        expression
        
        animated movement with special jazz effects
        
        harmony
        
        complex, chromatic
        
        timbre
        
        big-band sound, reed, brass and percussion sections
        
        rhythm/meter
        
        broad quadruple meter at moderate tempo
        
        performing forces
        
        jazz big band
        
        melody
        
        disjunct, syncopated themes
        
        Ella Fitzgerald
        
        Louis Armstrong
        
        trumpet player
        
        band leader
        
        New Orleans Jazz scene
        
        singer, actor
  - - - Civil war: Mississippi Delta Blues
        
        three-line stanzas
        
        twelve-measure harmonic patterns (12 bar blues)
        
        voiced difficulties of everyday life
    - - Bessie Smith
      - B.B. King
      - Charlie Patton