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Friss (Section A (bb238-335) (Theme (Theme E Exact (b236, Motivic…

- - - - b236
      - Motivic development after that
    - - b268
    - - b275
      - Followed by 3rd part of Theme E
    - - b303
        
        Overlap with F with stretto
    - - b315 stretto
      - Overlap with sections from Theme F
  - - - bb303-310
    - - bb315-321
    - - bb322-333
  - - - Pedal
        
        b253 in Cello
      - Non-Pedal
        
        b249 in Viola and Cello
    - - Constantly getting more complex
    - - bb264-267 Dominant drone
      - Exoticism
  - - - Bass on the beat, melody and chord off-beat
        
        bb 236-241
        
        Esztam
      - Closing Section
        
        Esztam
    - - bb303-306
    - - bb276-281
  - - - b283
      - Exoticism
    - - b303
      - Exoticism
- - - - 1st half b346
      - 2nd half b362
  - - - Very functional again at b362
    - - b377
  - - - bb350-367
    - - bb377-384
    - - 384-385
  - - - bb362-385
    - - bb335-361
- - - - 1st half b405
      - Full b421
    - - part 1 b425 (Overlap with I )
  - - - Maybe dorian
    - - F pedal all the way with shifting center
    - - b404
      - Create clashes with dorian melody
    - - Preventing from feeling resolve to build tension for climax
    - - b409
  - - - Accelerando and Crescendo throughout the section
- - - - b490
    - - b506
    - - b510
    - - b514
    - - 2nd part b543
  - - - b518
        
        Also for power
      - Exoticism
  - - - bb502-513
      - b525
    - - bb551-557
        
        To mimic texture change by using flute timbre
- - - - part 2 b443
    - - b467
    - - Bottom parts b467
    - - b471
    - - Bottom parts b471
  - - - To delay the resolution
        
        Feminine cadence
        
        Resolve at b451
- - - - b567
    - - b579
  - - - F7 dominant suppose to lead to C but hanging D# lead to E for suspense
        
        b601