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Femininity and Masculinity in British Art (Angellica Kauffman (her self…
Femininity and Masculinity in British Art
Angellica Kauffman
her self portrait vs portraits from other artists of her
her self portrait shows her job as a painter
her portrayal of women
they are portrayed as the actors and strong and in control of the scene
her portrayal of men
weak and effeminate
history paintings
women are more of the reactors than the actors in the scene
physically
portrayed as goddesses (neo-Classical garb), delicate,not strong, lower in scale in some paintings
the men were the actors and were protrayed as the actors
physically
muscular, strong, big in scale in the painting
Royal Academy
difficulty for women to be able to paint nudes
nudes were the archetype of art at the time and they were typically painted masculine
only one other woman, besides Kauffman, was attributed to the founding of the Royal Academy
find the painting of the royal academy where Kauffman's portrait is on the wall
portraits
supposed to portray status and for men the job they held and for women they usually got portraits done either to portray status or when they got married
i.e. naval officer portrait shows him in naval garb
i.e. the West portrait shows the wife with a nectarine branch that was supposed to represent a writing utensil
cartoons?
portrayal of makeup in cartoons in regard to the one nobel woman
other cartoon of women in the wig shop