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Raphael: Renaissance Painting- Tradition & Novelty (Intro (Italy,…
Raphael: Renaissance Painting- Tradition & Novelty
Key Themes of Renaissance
Revival of antiquity= Tradition +learn from P
Aesthetic
Philsophy
Copy and reference fellow artists
Study of nature= Novelty+ learn from L & M
Modelling,light, dark
Perspective, space, foreshortening
Humanism, emotion
Embrace new subject matter
Embrace new technology
Intro
Italy
Rapahel
Artist as product of his age
Painting as functional, but key visual image (no photography)
Structure & Flow, Definitions of N & T & Time span
Summary of balance in Raphael - heart in tradition, action in new
Conclusion
Buried at Pantheon
Vasari - self request
Foundation of mannerism
Epitaph
Antique Aesthetic
all'antica
Revitalised interest in the liberal arts & heritage: artists learned to reflect this (GrH)
Humanist Thought
(novelty or tradition?)
Perspective etc
Modelling - studied anatomy - Vasari 332
New Tech & Approaches
Perugino & Marriage of the virgin
Letter to Pope Leo etc - Gr Rp
Sequence of drama in Madonnas (incl Garvagh & Garofani) & others
Portraiture, informal & secular - eg
Nudes women in Renaissance- from models P49
Galatea - classical subject
Leonardo - Mona Lisa - pose & move way from linear
M'angelo - sistine & effect on Prophet
Contraposto stance in Catherine & Leda drawing
Laocoon 1506 - Homers - Contest - P74 J&P
Oil learned w Pgino - GrRp
Ref to Roman Scuplture in Stella Segnatura & Garvagh Madonna cloth grip (p7 Nat Gall Tec)
Bathroom & Loggia Bibbienna - Roman painting - Gr Rp.
Drawing of Pantheon and Marriage temple
Interest in Ancient
Naturalism & Emotion
Artist as present? - self portrait and in frescoes - e.g
Human body as central experience
Print - durer - Doorley
Sfumato - emerge from dark - Granduca
Pic with Instruments
Pope portrait as model for others
New Subject matter
School of Athens - subject & characters - geometry
Drawing for massacre / models used nude P57