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Renaissance (High Renaissance Continued (Tempest
tempest (Not outlined -…
Renaissance
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Renaissance
Isaac Sends Isaiah to Hunt
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St. Mark
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The Story of Joseph
Series of lines that all converge at a single point with mathematically organizes the proportions in the sculpture
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Bronze, painted with a coat of gilt
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St. George
Standing in a realistic way, but not in contrapposto
Looking off into the distance, cool, collected, in control
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Once again, influenced Michelangelo
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Eastern door of the Baptistry, The Gates of Paradise
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Donatello's David
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Looks very feminine, almost a homoerotic element to the sculpture
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Sacrifice of Isaac by Ghiberti
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St. Mary Magdalen
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Sacrifice of Isaac
by Brunelleschi
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Equestrian Statue of Gattamelata
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Tough dude, can see it in his face
Madonna of the Apple
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Madonna and Child
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Not classical, but the depiction is classical
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High Renaissance
Pieta
Body is rendered in a classical style, the virgin looks younger than christ.
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David
Worked out of damaged marble, wide but thin because it had been cracked
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He did not believe that the human body had to be perfectly proportioned, it’s up to the sculptor
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Slave (dying)
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San Zaccaria Altarpiece
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Moses
Huge man, physically appearance and personality wise
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Portrait of Doge Leonardo Loredan
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Never depicts personality or emotions, but the artist cannot understand the person being painted
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Ceiling Oculus
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Foreshortening, very dramatic
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Slave (awakening)
Instead of working rounded, he worked from the front and only the front so the figure emerged from the stone like a figure emerging from the bath.
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The Lamentation over the Dead Christ
Imploys vanishing point, linear perspective, muted colors (suggests somber and death)
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Extremely realistic, but it’s done backwards (the head is too big and the feet are too small)
St. Sebastian
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Slight contrapposto, a classical nude, realistic perfect human body
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