Stanislavski's System

Attention And Concentration

Circles Of Attention

Relaxation

Imagination

Magic If

Observation

Key Concepts

Psycho-Technique

Be Not Show

Given Circumstances

Subtext

The Method Of Physical Action

Communication Between Actors

Justification Of The Role

Units And Objectives

Improvisation

Tempo-Rhythm

Units

Objectives

The Super Objective

Actor Focus On Character As A Whole

Director Focus On Play As A Whole

The Through Line Of Action

The Unbroken Line

Communication

Adaptation

Stage Truth

Emotion Memory